advanced excursions into industrial drone & techno music

two old time friends hook up for the new weme release. some deep and dark advanced modern electro tracks from detroit. another step in the development of detroit electro techno. mental stuff for the heads!

the second album from swedens the field, is an hour of lullaby krautronica ideal for caressing abused ears. a digital trip through ambient, dance & drone, its been gently pulsating and washing over you like water in a shallow stream all day. vinyl version (gatefolder cover)includes a free cd of the album

satellite religion. spacetime 2009 - the world needs to prepare for the drone tunnel. one of the most dark andimpressive tracks comes out on the statik entertainment – label, made by the brits grit and sen. this is the discovery of warm feeling, enveloping depth and icy cold isolationism. it is dub-techno – endless endless, beautifulendless

mindblowing extreme funky industrial techno w/ drone atmosphere

super cool classic chicago house rooted tunes and some drone / electronica inspired pieces - highly recommended!

detroit producer kenny larkin put out a new album on carl craig’s planet e label. keys, strings and tamborines is larkin’s first album since funkfaker (2004), and it is his most dancefloor oriented album to date

vinyl only release!!! no digital distribution !!! this is the debut of oni ayhun. it is the first release in an unpredictable and never ending 12 series on the self-titled label oni ayhun records. oas music is (about) drama. oa makes records that combines disturbed dance music on the border to insanity with free dreamy drone stories without a beat.

welcome to the debut-release from the 21 year old sebastian lohse from dresden/germany. two timeless pieces of deep drifting, detroit rooted techno you wouldnt image coming from a youngster whos started producing just two years ago!trombone starts off with a dark drone to be counterparted by charming string arpeggios and marimba lines over its full length.pure magic!the sparkling flow also takes all the time to build intensity, layering a grand piano and strings to one of the best tracks to start a dj set with

reworks by ata, cassy, arto mwambe!! steve bug charts + big support from all over!!! fact is that ata/sasse rework a jahcoozi track,upvalues this 12inch with extra rarity bonus points, because usually ata only produces very infrequently and selected remixes. they put your record player in shallow, well-tempered water, while fine sand tickles the nail. now and then you can listen to a groovy, fart-sounding simmer when a warm dubby summerbreeze waves through your ntilnian head. the ex-nord ntiln dj arto mwambe puts all eggs in one basket: modern-bombast! a jingling glockenspiel and fucked-up stottered vocals – all covered up with a squelching drone…

iken returns with his second release - another atmospheric house-influenced journey..this new ep features 3 tracks… the distorted dirty disco workout of the title track aspects, the shimmering filtered funk of in touch, and the mysterious pulsing drone and eno-like moog shapes of december spring.. the first pressing of aspects also includes the bonus 7 single minds eye / close range (real soon, rs-008)!!

for the third release on the proxy label, the policy unit teams up once again to deliver its own interpretation of electro/disco/whatever..the label has been getting support from boundary-pushing djs such as cosmic rocker (in flagranti/codek) and jesper dahlbaeck (dk7/dk/dx)

re-issue of 1994 drone alltime techno classic, remastered w/ new artwork

great 4 track ep with exclusive analogue ragga metal breakcore monster madness!!

ambien / drone album

coral morphologic aka jared mckay and colin foord.

composer, pianist and improviser tom rogerson is back with a new album.

ambient / drone stuff

after 2020s mixtape hybtwibt?, space afrika are back with their new longplayer honest labour.

ambient / drone

drone and neo classic

expanded version of the original motion picture soundtrack by god hans !

2 cds unmixed with hard-back book case

aka luke slater !!

ambient / drone sounds

electro-acoustic manipulations and layered neo-classical drone works.

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

afterhours, one of the most iconic series on the global underground label returns with a brand new journey. this is the soundtrack to your post clubbing adventures, the music for the party after the party. over 30 tracks and 2 continuous dj mixes of eclectic electronica, dirty basslines, pitched back techno and blissed out 90bpm moments, all cut up, spliced and layered to create a sonic landscape to get lost in! with music from whomadewho, tuff city kids, matthew dear, howling, trentem¿ller and more.

having grown up with and on the internet, martin steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. bad stream is guitars and machines vanishing in the spaces between radiohead and nine inch nails only to reemerge amidst ambient, noise, and drone. bad stream, then, is his modus operandi a hybrid soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time

fźnf jahre nach dem hochgelobten debźtalbum -drone logic- wird der in london ansŠssige produzent daniel avery sein zweites album -song for alpha- via phantasy veršffentlichen. der neue longplayer ist die weiterentwicklung des klanglichen vokabulars von daniel avery. die ideen zu den tracks sind meist unterwegs entstanden: zwischen clubnŠchten und endlosen flźgen, zwischen stundenlanger autofahrten und unzŠhligen nŠchten im hotel. die 14 tracks auf -song for alpha- sind ein bravouršser handschlag zwischen dršhnenden klŠngen, die ganze tanzflŠchen fźllen kšnnen und leisen tšnen fźr ruhigere augenblicke, ambient-momente stehen gekonnt den hypnotisch-schweren technobeats gegenźber

on limited edition compact disc. generated instinctively in the moment from resampled chunks of previous output sandwiched between unheard waveforms from a distant future whilst underwritten by voltage controlled rumblings from actual synthesisers than can be seen and touched and wrecked by roadies. traversing known knowns and unknown knowns from drone to drone. harvesting new and slightly less new artefacts of the digitaux variety and crash landing in the ghetto of the lysergic jungles visited by g@ng5tas of yesteryear, all for your personal enjoyment. performed live at the red rattler in sydney, australia on the 16th of april 2017 for the strange signals / house of mince crews, the performance is slightly more than just the insane ejaculations of an unhinged mind, but a true insight into one of the internets least popular twitter accounts.

ausnahmeproduzent bibio prŠsentiert mit phantom brickworks ein limitiertes minialbum, bestehend aus neun ambient/drone improvisationen, inspiriert von orten mit einer industriellen historie. parallel zur albumveršffentlichung wird ein 20 bis 30 minźtiger film, unterteilt in die einzelnen tracks, erscheinen

five years after his last album release luke slater returns to ostgut ton with a new planetary assault systems longplayer, titled arc angel. after 22 light-years luke slaterÕs planetary assault systems keeps exploring space and time with different musical means. staying true to the projectÕs initial mission statement, slater comments on the new yet familiar musical direction: Òfor me music has to go forward. iÕd feel i was cheating by sticking to tried and tested formulas. thereÕs a valid use for these, but this album has its own agenda.Ó with arc angel, planetary assault systems departs to new musical frontiers by focussing on melody, but staying rooted in the purist values of techno that slater shaped over his decades- and generations-spanning career.

the continuing success of the drive soundtrack still registering healthy sales almost two years on from the film s release is due in no small part to french electronica artist college, whose track a real hero (featuring electric youth) was selected as the main theme to the film by director nicolas winding refn.

somewhere deep in the andromeda galaxy lies the mysterious planet wasteland. little is known. though, rumor says it inhabits lifeforms from all over the laniakea supercluster. these lifeforms have only one thing in common: on their home planet they are part of the mutant society. as an exclusive product for members of the mutant society on earth, radio matrix recorded the auditory data from its latest visitor, delta funktionen. spread over 4 ep s and compiled on this cd, it tells the intense story of his journey towards wasteland.

better strangers is the debut album by manchester based producer acre, set for release by tectonic recordings on 6th november 2015. the album follows eps on both tectonic and sister label cold recordings and visionists pan collaboration label codes. as influenced by rave & jungle, grime and techno as electronica, ambient and drone, his ep releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. acre has sought to explore a wider variety of textures on better strangers to re-contextualise elements from uk bass music, bring them away from the dancefloor and open up new possibilities.

der kalifornier lee bannon, einigen bekannt als produzent und dj fźr joey bada$$, die pro-era-crew und mick jenkins, veršffentlicht mit *pattern of excel* ein zukunftsweisendes album zwischen ambient-sounds und drone-einflź§en

following the international success of his much acclaimed debut lp, drone logic, daniel avery expands on his wide reaching world with a carefully curated collection of remixes from the artists with whom averys forward facing electronic style shares the deepest affinity. inviting each producer to either compliment, reconstruct or occasionally rebuild his original compositions, new energy stands as a testament to the strength of the current state of affairs in electronic music, borne out of one of its most original talents.

* mumdance & logos present proto , tectonic s first major release of 2015, set for release on 16th february. * recorded by the duo over 2014, proto is a collection of 10 future-facing club tracks that, against the odds, also provides a deep and involving experience for the listener. * proto focusses on the very brief sparks of innovation when new scenes were just forming and genre rules and paradigm were still grey areas, the early bleep track days when imported american techno was starting to be appropriated by the uk, the 93-94 proto era when hardcore was morphing into jungle and later when the darker sound of tech-step reared its mechanical, dystopian head. * all of this is underpinned with Òwot u call itÓ grime sensibilities and mumdance & logos trademark sonic disortientation. mumdance & logos concentrate on taking the moods and colours created by these leaps forward in sound and twisting them into something new, keeping in line with the futuristic visions of the originators.

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

total is babas debut album under his own name and his finest work to date. from the opening machine funk arpeggio of missing to the sanguine melancholia of closing hiphop beat discovery Ð new dawn, babas masterpiece rides through psychedelic screw-pop, minimalistic emo-acid and opiate-drenched coming-of-age ambient. as lucid and strong as it is obscure and beautiful, this is an album us folks at studio barnhus are immensely proud of presenting it to the world

dna sequence vol.2 - wicked deep-to-underground-house compilation featuring an array of great names within the genre including brad p, lady blacktronika, slowburn or gene hunt. more to come and expect from this project. cdr edition in recycled board case. limited stock available, no digital and no re-issue.

scott mou, known as one half of the duo jane Ð the folk techno drone duo he had with panda bear - aswell as part of manhattans famous record store other music, debuts with his soloproject queens. johan jacobsen describes the wonderful music of queens in oxymorons, colorful monochrome, myopic depth, sad joy, driven slowness, enlightened darkness, universal intimacy, ethereal earthboundness ... as it should be. queens is one of those wonderful artists who are hard to catch on the fly, who escapes easy definition. his music is an unexpected and unimagined universe ready to be explored, and it s a universe that is wonderful to be in. when dial records david lieske and peter kersten listened to a performance of their new york based friend in 2009, it was one of those unforgettable unique experiences you only have once in a long while these days. the idea of releasing an album was born. the production of end times involved other labelmates such as phillip sollmann aka efdemin (recording), kassian troyer (mixing) and hendrik weber, who once joined a life performance on stage with scott mou in 2012.

zip ist nicht nur eine der umtriebigsten persšnlichkeiten der hiesigen house/techno-szene, sondern auch eines ihrer grš§ten rŠtsel. er scheut das rampenlicht, ist aber in allen bereichen elektronischer clubmusik allgegenwŠrtig: als dj (mit residenzen in der berliner panorama bar und im offenbacher robert johnson), als erfolgreicher labelbetreiber (perlon, mit dem hauptact ricardo villalobos) und als produzent (dimbiman). zip hat es sich nicht nehmen lassen, der einladung der legendŠren fabric-serie folgend, eine eigene ausgabe abzuliefern, bei der er auf nonkonformistische art und weise techno-takte aufbricht und sie in warme deep-house-grooves źberfźhrt. das ergebnis ist so einzigartig wie schillernd und mit sicherheit eine weiterer meilenstein dieser kultigen ausnahmeserie.

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

sixteen brief and inconsequential images..glimpses of scenes flickering byÉ heres mickey moonlights debut album! full of discrete and subtle details this lp is definitely aimed for home-listening and not for the club (even if close to everything is receiving massive support from our dj friends..) although mm has assembled a large and stellar cast of musicians the album still remains his singular and unique vision.

2011 album from the british electronic duo, their first album in seven years. producer/songwriter/frontman richard fearless mixed the album in michigan after recording it in shoreditch, london. trans-love energies, a reference to the 1960s detroit anti-establishment group, features 12 new songs with fearless performing lead vocals on the majority of the tracks. vocalist katie stelmanis from domino band austra guests on three of the tracks.